Eugenia Capizzano, you first made us hard when you appeared in your debut, Fuera (1998), a drama out of Argentina. We knew there were big things coming from you, we knew it because they were growing in our pants. You landed on the boob tube in the crime drama Killer Women, and you are: a killer body, a killer face, a killer of our sperm cells spilled whenever you appeared on screen. But you teased us, you came close but never gave up the skin we so desperately needed from you, until Empty Nest (2008). This comedy delivered the T&A that we always knew was in you, and it’s so nice to see it out.
